Showing posts with label Pre-production. Show all posts
Showing posts with label Pre-production. Show all posts

Thursday, 9 October 2014

The Seven Key Areas of Audience and Institution-Avengers Assemble Research

‘The technologies that have been introduced in recent years at the levels of production, distribution, marketing and exchange; (how has the introduction of digital film, 3D, DVD, Blu Ray, internet streaming, downloadable content, home cinema influenced the types of films made, the way we watch them and the way we 'buy' them?) Research the types of technology utilised during these stages of the film production process of Avengers Assemble’

Pre-production
It was reported that in August 2010, Paramount Pictures and Marvel Studios were to plan shooting The Avengers (The Avengers Assemble) in February. Simultaneously, it was decided that the film was to be shot in 3D, although Mark Ruffalo later denied

this via Twitter. By October, Grumman Studios in Bethpage, New York and Steiner Studios from Brooklyn, New York were announced as filming locations for the up and coming film. Also in October, Walt Disney Studios agreed to pay $115 million to Paramount for the worldwide distribution rights to Iron Man 3 and The Avengers. However, Paramount still retained TV rights.

Production
Cinematographer Seamus McGarvey claimed that he composed the frame with a 1.85:1 aspect ratio to cope with the varying heights of the main characters. Shooting 1.85:1 is unusual for a film like this but is necessary to capture the height in the screen in order to frame characters such as the Hulk, Captain America and Black Widow; all three having huge differences in height. Furthermore, Joss Whedon – the Director of The Avengers Assemble – knew that the final battle sequence was going to be this extravaganza in Manhattan, so the height and vertical scale of the buildings will be very important. The film was shot with a variety of digital cameras: the Arri Alexa, the Canon EOS 5D Mark II and the Canon EOS 7D digital SLR. However, high speed shots were captured on a 35 mm film with the Arriflex 435.

Post-Production
Joss Whedon directing Samuel L. Jackson
The film was finally announced to be converted to 3D by Disney in December 2011. When asked about the conversion, Wheldon said, "I'm not a big fan of extreme long lens, talky movies – I like to see the space I'm in and relate to it, so 3D kinda fits my aesthetic anyway. And the technology has advanced so far in the past couple years." Then in January 2012, it was reported that the film would be digitally remastered for IMAX 3D and open in IMAX theatres on May 4th, 2012, the same day it opens in regular theatres. The film's IMAX release follows Marvel's IMAX releases of Iron Man 2 and Thor.


Finally, the film contains more than 2,000 visual effects. ILM was the lead vendor and shared responsibility for creating many of the film's key effects, including the Helicarrier, the New York cityscape, digital body doubles, Iron Man and the Hulk. In order to create the on-screen Hulk, Ruffalo was attached to a motion-capture suit on set with the other actors whilst four motion-capture HD cameras – two for his full body and two focused on his face) captured his face and body movements.

Thursday, 2 October 2014

Why Was Dredd a Flop?

The film Dredd; a futuristic irradiated waste land running from Boston to Washington DC lies Mega City One - a vast, violent metropolis where criminals are left to roam the streets and cause havoc. The only force of order left within the megalopolitan are the urban cops called “Judges”, who poses the combined powers of a judge, jury and instant executer depending on the crime. Known and feared throughout the metropolis, Dredd is the ultimate judge; respected and feared by every criminal within the super-city. Dredd is tasked by the Chief Judge to evaluate the new recruit, Cassandra Anderson; a powerful mutant-psychic who failed to aptitude tests to be a judge. The two judges respond to a multiple homicide in a 200-storey slum tower, where drug lord Madeline Madrigal (Ma-Ma) executes three rogue drug dealers by having them skinned, intoxicated by Slo-Mo and thrown down the tower block from the top floor. On their arrival, they arrest a thug named Kay, who Dredd decides to take in for questioning in which Ma-Ma decided to shut down the entire building, leaving the two judges trapped alone, with hundreds of drug barons wanting to kill them…

Pre-production
Dredd was finally released on the 7th September 2012, after the comic – which came out in July, the same year – built up a lot of hype when it first debuted at Comic-Con. With one of the largest independently produced Brit films of all time and based on a well-loved comic (Judge Dredd) from 1974. Despite having a small budget of only $45 million, Dredd impressed both fans and critics alike. However, when the film first came out none of the hype and enthusiasm expected by critics came to light and the film became one of biggest losses of the film industry that year; taking $27.6 million from markets outside of North America and $13.4 million from North America, making a total of $41 million. Therefore this created a loss of around $14 million, after the film was marketed. It’s often seen that films with such a low budget don’t seem to do well on the box office; with very few exceptions.

However when the film came out none of the expected hype and enthusiasm that critics were predicting came to light and the film was one of the major losses to the film industry that year. But what is at blame to its downfall? Firstly, Dredd was first attempted to be made into a film in 1995 by Hollywood; starring A list stars such as Sylvester Stallone and Rob Schneider. The film received negative reviews upon its release with the review aggregation site Rotten Tomatoes giving the film a score of just 18% based on reviews from 51 critics and an average rating of 3.7/10. The film also picked up comments like, "Judge Dredd wants to be both a legitimate violent action flick and a parody of one, but director Danny Cannon fails to find the necessary balance to make it work." 

Furthermore, the film was considered to be a flop in the United States as it grossed only $34.7 million in the North American domestic box offices and to make it even worse, Judge Dredd picked up a Golden Raspberry Award nomination for Sylvester Stallone as the worst actor. However, it did do better internationally with over $78.8 million around the world, giving it a total of $113.5 million worldwide. Therefore with the original 1995 Hollywood version being such a flop, it may have put many people off going to see the latest version of the hit comic.

Also , as Dredd is originally a British comic book character, it puts it into a niche market with competition such as The Dark Knight Rises, The Amazing Spider-Man and The Avengers all being released in the same year. So with two huge Marvel franchises and another Batman from DC Comics, surely Dredd was up for a tough year. The fact that Dredd was given an 18 rating also places it into a niche market as it means that the majority of cinema goers; 7-21 would not be allowed to see this film, giving it a smaller potential market, which the other comic book films exploited with ratings of 12, giving them a wider audience and more profits.

Production
Firstly, I feel that the drug “Slow-mo” that is present in the majority of the film doesn’t help it at all as the film seems to me that director Alex Garland managed to get his hands on a few Slow motion cameras and decided to go mad with them, resulting in unconvincing special effects which was picked up a lot by the critics. Another mistake from the experienced director Alex Garland, was investing in 3D cameras where he could have used that to improve the special effects.

In comparison, The Avengers had a whopping budget of $220 million for the making of the film; almost 5 times as much as the budget for Dredd! Also, the producer of The Avengers was Kevin Feige; a well-known producer, similar to that of Dredds - Alex Garland. However, the cast of The Avengers may just skip the scales on which film you would go and see, with A list actors such as Samuel L. Jackson, Chris Evans, Mark Ruffalo, Robert Downey JR, Scarlett Johansson and many more, whereas Dredd’s cast featured the likes of Carl Urban, Olivia Thirlby, Wood Harris and Lena Headly – not quite as thrilling. Therefore, with that in mine I feel this is one of the reasons that contributed to Dredd’s failure to succeed in the box office.

Post production
The marketing side of Dredd suffered a huge blow in its bid to be successful with a very low budget of just $25 million. In comparison, the $25 million paid by DNA Films was just a fraction of what Marvel paid for the advertisement of The Avengers with $4 million just going on a 30 second advert at the Superbowl.


Finally, Dredd also didn’t do well when it came to screening it, mostly down to the fact that it was only showed in 3D with not many small cinemas having the equipment to show the small production. Only large cinemas that showed a huge variety of films in London or small independent cinemas showed the film, meaning that Dredd took very little from the cinemas.

In conclusion, I feel that Dredd failed because it decided to shoot the film in 3D. If they hadn’t of done this, they could have spent the money they spent on 3D cameras on marketing the film to get more people to watch it, or instead on improving the special effects to make them more convincing. Finally, if they hadn’t have filmed Dredd in 3D, it may have been showed in a wider variety of cinemas, increasing its potential profits and helping it to succeed.


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